Ebook 30 Ten-Minute Plays from the Actors Theatre of Louisville for 2 Actors
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30 Ten-Minute Plays from the Actors Theatre of Louisville for 2 Actors
Ebook 30 Ten-Minute Plays from the Actors Theatre of Louisville for 2 Actors
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From Library Journal
Smith and Kraus, the drama student's best friend in the publishing world, once again mines the indefatigably rich and protean dramatic vein of the Actors Theatre of Louisville Humana Festival. The latest jewel in the "Contemporary Playwrights and Collections" series is this three-volume collection of 90 exemplary ten-minute plays, derived from Humana's 20-year-old National Ten-Minute Play Contest and selected by lead editor Dixon, who was an associate artistic director and literary manager at ATL for 16 years. What began as a quirky exercise in Polaroid playwrighting has evolved into a meaningful format, no less dramatically complete or serious for its time constraint. Nor is this form relegated only to unknown innovators, as attested by the contributions of such noted playwrights as Jane Martin, David Henry Hwang, Tina Howe, William Mastrosimone, Jon Jory, David Ives, and Craig Lucas. Arranged by gender groupings (plays for women, plays for men, plays for combinations, etc.), these volumes are particularly suited to acting students whose needs for relevant, contemporary, and age-appropriate scenic material is insatiable. This entire moderately priced series should be scarfed up by all libraries devoting collection attention to the needs of actors. Barry X. Miller, Austin P.L., TX Copyright 2002 Reed Business Information, Inc.
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Product details
Paperback: 247 pages
Publisher: Smith & Kraus; 1st edition (September 1, 2001)
Language: English
ISBN-10: 1575252775
ISBN-13: 978-1575252773
Product Dimensions:
5.8 x 0.5 x 8.8 inches
Shipping Weight: 12.6 ounces (View shipping rates and policies)
Average Customer Review:
3.0 out of 5 stars
4 customer reviews
Amazon Best Sellers Rank:
#450,540 in Books (See Top 100 in Books)
These ten-minute plays are by far David Mamet material, but then again, who wants to be that cerebral! They're just okay; nothing great, nothing terrible. Great to take the actor out of his own head, but not enough to keep them enticed. If you have the others already, then it's an okay buy...But, if you're just now building your collection, this isn't a book I'd build my foundation upon.
Great
So far, this book has not been worth the money for highschool theater class. It has lots of foul language and subjects that are not at all fit for a high school. The only one that is really likable is the one on China Town and Misreadings. Tape was interesting, but not high on the dramatic scale.
"30 Ten-Minute Plays for 2 Actors, from Actors Theatre of Louisville's National Ten-Minute Play Contest," edited by Michael Bigelow Dixon, Amy Wegener, and Karen C. Petruska, is an outstanding anthology dedicated to a very specific theatrical genre. It is part of a set of three volumes of 10-minute plays. One of the other volumes contains plays for 3 actors, and the other has pieces for 4, 5, or 6 actors.The introduction to this book notes, "Over the past two decades, the ten-minute play has established itself as a potent and durable form in American theater." The editors further compare this genre to other short literary forms such as the editorial. They also note that the plays in this volume are all by American playwrights.The thirty plays are a very diverse group. In this book can be found comedy, tragedy, fantasy, and surrealism. Here are brief descriptions of some of my favorites."Misreadings," by Neena Beber: an encounter between a college literature teacher and a rebellious student. "Off the Rack," by Robert D. Kemnitz and Jennifer McMaster: a dialogue between a woman and a professional closet organizer. "Guys," by Robert Badlam: a comic dialogue between a girl-hungry guy and his pal at a fast-food restaurant. "Precipice," by William Mastrosimone: the suspenseful story of two climbers in trouble on Mount Rainier. "Tape," by Jose Rivera: a "Twilight Zone"-ish dialogue between a seemingly imprisoned individual and an attendant; early on this play contains the ominous line, "We don't want to cause you an undue suffering."But my favorite in the whole collection is "Trying to Find Chinatown," by David Henry Hwang. A hilarious and thought-provoking satire on Asian-American identity, it contains some terrific dialogue.The only thing that disappointed me about this collection was the lack of any author bios. I would have liked to have had some information on these playwrights and on any other pieces they may have written. Still, this is a fine collection which I would enthusiastically recommend both for classroom use and personal reading.
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