Get Free Ebook Drum Circle Facilitation: Building Community Through Rhythm

Get Free Ebook Drum Circle Facilitation: Building Community Through Rhythm

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Drum Circle Facilitation: Building Community Through Rhythm

Get Free Ebook Drum Circle Facilitation: Building Community Through Rhythm

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Product details

Paperback: 260 pages

Publisher: Village Music Circles (June 1, 2007)

Language: English

ISBN-10: 0972430717

ISBN-13: 978-0972430715

Product Dimensions:

6.9 x 0.7 x 9.2 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

6 customer reviews

Amazon Best Sellers Rank:

#842,936 in Books (See Top 100 in Books)

This is a great book for anyone interested in becoming more proficient and fluent in the art form of drum circles. I'm a much better facilitator of drum circles because of the principles, guidelines, suggestions, and teachings shared in it. If you are at all interested in facilitating drum circles, this book is a must read.

Excellent resource.

A must read for anyone interested in facilitating drum circles. Even experienced facilitators that may not have read this previously will find great value in the practical application of concepts that Mr. Hull describes in detail throughout the text. If you had to choose only one book to read regarding drum circles, this would be the one.

Arthur Hull's books are clearly written, packed with practical and useful information, and presented in a kind and humorous style that makes the material easy to digest. That would be enough positives for anyone interested in drumming, drum circles, music education, or music therapy to give this book a read-through. The kicker is that the book's content has broad applications beyond drums and percussion. To my ear, what makes a drum circle work is sensitive listening, unselfish playing, high energy and enthusiasm, and a certain amount of serendipity and risk. Anyone who cultivates these qualities becomes a better improviser on whatever instrument they happen to play; so the ideas in this book are very valuable for saxophonists playing jazz, guitarists in jam bands, or chamber music string players seeking a tighter sound. These qualities also make for coordinated work groups in areas beyond music altogether; there are reasons that corporations have drum circle events at their meetings. Drum Circle Facilitators "serve the circle;" they are the alchemists who help bring out the musicality in a group of random drumming strangers by doing the minimum activities necessary to raise the level of the group's listening, and then getting out of the way so the main method of the group's learning is by doing. In this book there are dozens of anecdotal descriptions of what can go right and what can go wrong when leading drum circle events, mainly from Arthur Hull, but also from a selection of other experienced leaders in the Village Music Circles organization. The concepts are presented within an overall system of "triplicities," a means of balancing three coordinated aspects of each leadership skill. This book also introduces a shorthand symbol system for keeping track of the events that take place in drum circle events. This system is tremendously valuable for music education; in the organization Music for People (teaching improvisation on all instruments), Hull's books are required reading in the training, and the symbol system has been used and extended to cover tonal instruments. To wrap things up and get out of the way here, this is a five star book that is a good read and it has much to offer all musicians, all music teachers, and educators and trainers who want their charges to function with harmony, rhythm, and high energy.

Weaving poignant stories with easy to understand guidance, Arthur Hull has created a masterpiece for anyone interested in drum circle facilitation. Whether you are someone who has witnessed a drum circle, experienced a drum circle, led a drum circle or have any interest in the art of community building through rhythm, this book provides a perfect balance of information, stories, guidance and wisdom from a man who is the father of the drum circle facilitation movement. This is absolutely a must read, for in sharing his wisdom, Arthur Hull demonstrates clarity, fun and brilliance in one very important book that needs to be read by all.

This is a book but actually can be used as a manual. A tool that if you are on DC facilitation you will want to have at hand. Tons of information and insights available...just to read and re-read, then you will find out there was much more than you thought. Thank you Arthur!

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Drum Circle Facilitation: Building Community Through Rhythm PDF

Drum Circle Facilitation: Building Community Through Rhythm PDF

Drum Circle Facilitation: Building Community Through Rhythm PDF

Drum Circle Facilitation: Building Community Through Rhythm PDF

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PDF Ebook Tales from the Art Crypt: The painters, the museums, the curators, the collectors, the auctions, the art

PDF Ebook Tales from the Art Crypt: The painters, the museums, the curators, the collectors, the auctions, the art

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Tales from the Art Crypt: The painters, the museums, the curators, the collectors, the auctions, the art

PDF Ebook Tales from the Art Crypt: The painters, the museums, the curators, the collectors, the auctions, the art

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Amazon.com Review

In Tales from the Art Crypt, Richard Feigen, a veteran of nearly 50 years as an art dealer, offers not a conventional memoir but rather a series of highly polished anecdotes adding up to an illuminating dissection of art-world practice and politics. The opening chapter, aptly titled "Detective Stories," makes attributing an old master painting or unearthing a forgotten portrait of Thomas Jefferson as exciting as a murder mystery. Feigen's acid comments on the provincialism of his hometown, Chicago, explain his relocation to New York in the mid-1960s. His depictions of fellow dealers like Leo Castelli and Sam Salz are amusingly candid without seeming mean-spirited; affectionate portrayals of collectors such as Morton and Rose Neumann are equally vivid. Also memorable is a juicy account of his stint on the board of the Barnes Foundation, whose decision to deaccession works and permit a traveling exhibit of fragile paintings he deplores. Feigen, who has studied and sold everything from surrealist works and pop art to 17th-century Italian paintings, displays an infectious zest for art as both aesthetic pursuit and business. His comments on the conflicts between museum directors and their newly revenue-conscious boards of trustees explain much about the increasing commercialization of once scholarly institutions. His delightful book fulfills the mission museums once took for granted: to entertain and educate. --Wendy Smith

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From Publishers Weekly

Veteran art dealer Feigen offers up some salty tales from his decades of wheeling and dealing in the vicious and malicious world of the international art market. Feigen represented a number of artists, notably Francis Bacon, before they were considered salable, let alone successful, and was present during some heavy-duty deals in recent decades. His short chapters read like occasional essays, presented without any special order or continuity and containing accounts of meetings with artists from Mir? to Matta that have the convincing ring of someone who delights in minutiae and idiosyncrasy. (Sometimes the negotiations are described in such detail that they'll confound those not themselves involved in running art galleries.) On the downside, Feigen has a weakness for some of the lesser art produced in Chicago (where he was born), and makes too confident pronouncements on complex attribution questions involving artists like Poussin. (Sometimes he seems to prefer asserting the scandalous over the provable, as when he claims that the Italian Renaissance artist Sodoma "possibly" had sex with a zooful of pet animals.) These are relatively minor points, however, considering Feigen's willingness to tell all (or much) of what he knows, and his clear and disarming manner of doing so. Given the vast smoke screens raised by legendary dealers like Duveen about their sometimes dubious activities, this frank, detailed account by a mover and shaker in today's booming art market is sure to be discussed over many a downtown dinner. (June) Copyright 2000 Reed Business Information, Inc.

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Product details

Hardcover: 320 pages

Publisher: Knopf; First Edition edition (June 20, 2000)

Language: English

ISBN-10: 039457169X

ISBN-13: 978-0394571690

Product Dimensions:

6.5 x 1.2 x 9.5 inches

Shipping Weight: 1.6 pounds (View shipping rates and policies)

Average Customer Review:

3.7 out of 5 stars

7 customer reviews

Amazon Best Sellers Rank:

#738,027 in Books (See Top 100 in Books)

I found Richard Feigen's book to be a mostly worthy criticism of the current art world. I am the son of Sam Salz who is mentioned in a short passage in the book as a legendary art dealer. I think Mr.Feigen's description of his method of dealing is accurate even though my father's german-jewish accent is slightly overdone. My father may have been a shrewd and sometimes ruthless negotiator but he always saught a good home for "his pictures" and could judge a great one from a "postage stamp". The rest of the book deals very well with the gradual takeover of large corporate interests in the museums. Sometimes Mr. Feigen has a tendency to portray himself as the sole savior in a corrupt system but more than a few of his shots are right on target.

I highly recommend this book. A must read. Engrossing.

Gossip and other matters previously reported by others. Too bad the author did not say more about modern art.

Feigen does a wonderful job of tooting his own horn and bashing the hard-earned reputations of others. The subtitle of the book: "The Painters, the Museums, the Curators, the Collectors, the Auctions, the Art" should have read "ME, ME, ME, ME, ME, ME". There a few useful or interesting tidbits of information buried in the book, but the challenge is staying awake long enough to unearth them.

Right on the money. The tension between current administration and curatorial museum work could not have been better demonstrated. Frank anecdotal experiences told in a lucid well crafted manner leaves you wanting more! The level of knowledge of museum boards at our best museums is sobering. The photo of the banner in front of the Metropolitan says it all--Haute couture at the Metropolitan-- Indeed! Thanks Mr. Feigen.

Richard Feigen has written a super piece of insider information about the art world, admittedly his own and centered around Chicago and New York. Superlatively illustrated, written in a personal style with a gossipy machine-gun ring to it. For anyone part of that world this book is a must and for the rest of us it is a rare wide-open window, not unlike reading a Suzy column in W magazine but with a few Art History doctorates added on.

I enjoyed this look at the art world through Mr. Feigen's eyes and experiences. The book is written in a very conversational tone with humor and brutal honesty.

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