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Rabu, 18 Juli 2018

Download Ebook Jazz, Rags & Blues Book 1(Alfred's Basic Piano Library), by Martha Mier

Download Ebook Jazz, Rags & Blues Book 1(Alfred's Basic Piano Library), by Martha Mier

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Jazz, Rags & Blues Book 1(Alfred's Basic Piano Library), by Martha Mier

Jazz, Rags & Blues Book 1(Alfred's Basic Piano Library), by Martha Mier


Jazz, Rags & Blues Book 1(Alfred's Basic Piano Library), by Martha Mier


Download Ebook Jazz, Rags & Blues Book 1(Alfred's Basic Piano Library), by Martha Mier

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Jazz, Rags & Blues Book 1(Alfred's Basic Piano Library), by Martha Mier

Product details

Paperback: 24 pages

Publisher: Alfred Music (January 1, 1993)

Language: English

ISBN-10: 073900963X

ISBN-13: 978-0739009635

Product Dimensions:

8.8 x 0.2 x 11.5 inches

Shipping Weight: 3.5 ounces (View shipping rates and policies)

Average Customer Review:

4.9 out of 5 stars

13 customer reviews

Amazon Best Sellers Rank:

#54,007 in Books (See Top 100 in Books)

I love having pieces in different styles for my students, and this book is full of fun, accessible, and well-graded pieces in a wide variety of styles. I especially love her rags, because they are excellent precursors to Joplin as far as style and character, but composed with small hands in mind. Unlike other collections, which seem like watered-down or overly-simplified arrangements of more advanced repertoire (also usually full of inaccurate rhythms and unmusical shortcuts), this collection is made up of actual compositions written for pianists at each particular level. They make great recital pieces, and are extremely helpful for teaching rhythms, bass lines (and working on LH technique), and chords. This series complements any method book and is extremely reasonably priced for the amount of music in it.

Really like Martha Mier’s books. Several of the ones in this book are favorites of mine to play and sound great beyond their beginner skill level. I prefer the Jazz/Blues music; not a big fan of ragtime, but I’ve played them anyway. Examples of all can be found on YouTube so always a good place to go to hear how it should sound. I’ve started book 2 and hope to get skilled enough to finish and move to book 3!

I’m a piano teacher and I always use these books as an introduction to jazz. I use these books with every student and every student so far has been amazed with how great it sounds, how confident they feel, and how much they grow when I introduce these books.Each song is two or three pages long, so it doesn’t get too overwhelming for easily-overwhelmed students. A good balance of upbeat rags and slower ballads, my students never get bored and I never get sick of the same old thing over and over.My students enjoy playing these books and I enjoy teaching out of them! Martha Mier does it again. I love everything I’ve purchased by her and my Jazz, Rags, and Blues are by far my favorite.

Martha Mier never disappoints... and this is the first of one of the best series she has ever written. If you have a level 2 student, and you need a student saver song, this book will give you several. These are inevitably the first songs chosen to play at every single concert we have.

I teach piano and these arrangements are so cute and teach syncopation. They are all original. Every song is cute.

My piano students love this book. It is full of cool- sounding upbeat pieces.

Two of my students love this book.

Good

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Senin, 16 Juli 2018

Ebook Download A Handbook of Diction for Singers: Italian, German, French, by David Adams

Ebook Download A Handbook of Diction for Singers: Italian, German, French, by David Adams

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A Handbook of Diction for Singers: Italian, German, French, by David Adams

A Handbook of Diction for Singers: Italian, German, French, by David Adams


A Handbook of Diction for Singers: Italian, German, French, by David Adams


Ebook Download A Handbook of Diction for Singers: Italian, German, French, by David Adams

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A Handbook of Diction for Singers: Italian, German, French, by David Adams

Review

"Wow! No need to bother with other reference works for these three languages---it's all here and then some! I'm so impressed with Mr. Adams' thoroughness, clarity, and his ability to keep what could be a dry subject interesting, entertaining and stimulating. Any singer, voice teacher or collaborative pianist needs this on a very handy shelf." --Martin Katz, Pianist, Coach, and Conductor"A Handbook of Diction for Singers will make an invaluable addition to any singer's library. The clarity and simplicity of Mr. Adams' approach to lyric diction is wonderful to read, and his years of teaching and the depth of his understanding only underscore his clear and clean explanation of the many aspects of this discipline. Bravo, David!" --Warren Jones, Pianist"David Adams' contribution to the singer's bookshelf is invaluable. He not only provides a clear, pragmatic guide to diction for singers and pianists but approaches the topic with a fine ear for music and a deep understanding of the challenges singers face in uniting music and text." --Brian Zeger, collaborative pianist and Director of Vocal Arts, Juilliard School

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About the Author

David H. Adams has sung as lyric tenor in opera and concert in Italy, Austria, Germany, and the US. He has been on the faculty of the University of Cincinnati College-Conservatory of Music since 1980, and is currently Head of the Performance Studies Division of the Conservatory. He is artistic director of the Opera Theater and Music Festival of Lucca (Italy), and has served on the faculty of the Aspen Music School.

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Product details

Paperback: 248 pages

Publisher: Oxford University Press, USA; 2 edition (January 28, 2008)

Language: English

ISBN-10: 0195325591

ISBN-13: 978-0195325591

Product Dimensions:

6.2 x 0.6 x 9.2 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

30 customer reviews

Amazon Best Sellers Rank:

#112,166 in Books (See Top 100 in Books)

This is one of the most concise and accurate books on Italian, German, and French language lyric diction available. It is by far the resource I recommend the most to any singer, pianist, or vocal coach. While it contains all of the basic information found in books like those by Moriarty, Grubb, Odom, and others, it does so in a much more streamlined fashion, designed to take one's understanding of diction as a means of communication to a higher level. It may be about a third of the size of other books, but the amount of language-specific information is quite high, even including specific musical examples. If you were to only own one book on foreign language lyric diction, this would be the one to own.

I have used this textbook with great success teaching diction courses at the University. It is unique in that it is comprehensive, easy to understand, and includes all three of the essential foreign languages necessary for classical singing: Italian, French, and German. Very rationally and expertly structured. Easy and effective for the students.

Fortunately, I have not had to use this book but it seems to be an adequate source of language pronunciation.

I am offering a Lyric Diction Class for my adult - non professional track students. I took a chance on this text - not having used it before. I am so delighted with the detail and organization of this book. It is very easy to use and understand - and still very detailed. I highly recommend it as an excellent resource.

This book is a great learning tool. My voice teacher is using it to teach a small group of us better diction. We are currently only working on Italian but I have already learned so much. Who knew there were so many little rules governing diction?? If you are interested in improving your singing and performing, this book is a must have. It can be a little daunting to get through on your own which is why it is not 5 stars. If you have a teacher that can help you through it you will get much more out of it.

This is an excellent resource that I've used many times in my song study. I recently purchased the updated 2008 edition also by Adams, and it contains much of the same great material. I'd recommend either edition, but the latter does have more current research that makes it a bit more desirable.

I have long used the appreciated David Adams' textbook A HANDBOOK OF DICTION FOR SINGERS. Having seen the 2nd edition that a colleague owned, I decided to purchase it. It is even better than the original. The thing I like about this book is that it is concise, direct, practical, easy to read and comprehend, and is not bogged down in too much academic rhetoric as some other diction texts I have studied. I highly recommend it for singers and teachers.Willie Anthony Waters

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A Handbook of Diction for Singers: Italian, German, French, by David Adams PDF